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Household Of Saud - Charles Tolliver And His All Stars, Herbie Hancock, Gary Bartz, Ron Carter, Joe download full album zip cd mp3 vinyl flac

One thing you'll notice about this recording is that the piano is one one side of the stereo image, and the bass is on the other. The trumpet and drums seems to be spread evenly. There is great clarity in the recording, and it only adds to the enjoyment of the interplay. Track Two, entitled "Peace With Myself", is a colorful waltz. Hancock's comping is extra-creative, and he and Carter share some humorous musical comments.

It's amazing how strong the rhythm is on this track, and yet there is a lot of openess in the beat. At times, Chambers seems subdued, but when you realize how subtly musical his playing is, you just sit back and marvel at his tasteful musical reflexes.

Hancock ventures into 20th century impressionism, reminiscent of his work with Miles Davis. Hancock's approach to rhythm is so multi-layered. Sometimes I almost laugh when I read something like "Jazz Rhythm is primarily eighth notes. Ron Carter brings us down to nothing while Hancock and Chambers sound as if they are faraway ghosts. I also recorded this tune on L.O.V.E.

- L.O.V.E. third CD for the Steeplechase label back in the 90's. The form is basically a diminished scale line over an almost New Orleans type of syncopated rhythm. The bridge is a release into Bud Powell-like Bebop. This tension and release built into the structure makes it endlessly fun to improvise over. The melody statement in Tolliver's hands has a bold clarion calllike a call-to-arms, or maybe in this case, a call-to-play-some-jazz.

Hancock's solo, combined with Carter's disruptively inventive hemiolas, and Chamber's perfectly swinging beat, is a thrill ride.

Carter, quite a sober man personally, is almost comical in his comping here; at times, he almost sounds like he's in another room, it's that adventurous.

This conflict continues on Tolliver's solo, building into a short but sweet Chambers drum solo. And the battle continues all the way to the vamp out. It's hard swinging and intense. Tolliver sounds strong. Bartz's solo has a nonchalance about it; he's a master of sounding relaxed over intense rhythm sections. It uses long pedal point sections over a relaxed jazz bossa type groove.

Again, the musical teamwork is great. Bartz takes a lyrically beautiful solo. The title track, "Paper Man," is one of those sort of bluesy boogaloo tunes with a catchy riff.

It's a great way to end the album. Thanks again for sharing your enthusiasm about this great album, 'Paper Man'. Best regards, Terrence. Charles Tolliver Trumpeter Charles Tolliver is one of those musicians that frequently gets overlooked by writers and listeners. Adagio Ma Non Troppo - C.P.E.

Bach*, Gustav Leonhardt, Alan CurtisHelmut Hucke, Collegium Aureum think of Tolliver's trumpet playing as smack dab in the middle of Freddie Hubbard and Woody Shaw; he has wonderful vocabulary in his playing, and a lot of passion Hubbardbut also a very clean articulation and technique, and also logic in his solos Shaw. Above all, he is a very musical player, and at times, I liken him to saxophonist Wayne Shorter, who improvises like a composer. And Tolliver is a prolific composer. He is also a pioneer in the music business, if you consider that he and Stanley Cowell were some of the first jazz artists to start their own label in the 70's Strata East.

Whenever people ask me my top Household Of Saud - Charles Tolliver And His All Stars favorite jazz albums, Charles Tolliver's Paper Man is always on that list. I first heard it when I was in college, and I'm still not tired of it. It's one of those magical lineups that is in some Fresh Interlude - Foxapet - Funky Contraptions expected, but in this case, produced something extraordinary.

Charles Tolliver is well featured and well recorded on trumpet, and all the compositions are from his pen. The one and only Herbie Hancock plays a piano which, for my ears, sounds almost like an upright at times, and perhaps not a well maintained one.

Whatever the case, it's relevant for no more than a split second, because Hancock's playing seems extra inspired throughout the session. The great Ron Carter plays some rhythmic and harmonic ideas that are downright shocking. And the amazing Joe Chambers adds a superbly sensitive rhythmic foundation with his supple drumming. My former employer Gary Bartz appears on three tracks and is in great form as usual.

If you have Paper Man in your collection, I hope the following writing will inspire you to dig it out and listen along. If you don't have it, it's really hard to Household Of Saud - Charles Tolliver And His All Stars. For some weird reason, this masterpiece is not available on Itunes. What a shame!

The first track, "Earl's World", is a bold opening statement, a combination of heavy and light all at once. I love tunes that get right to the point, The Neon Judgement - Fashion Party (Headman / Pulsinger Mixes) this one does. And it's a great vehicle for solos. Tolliver comes out with powerful ideas, and his solo is perfectly shaped, driven by the enthusiastic comping of Hancock and Chambers.

One thing you'll notice about this recording is that the piano is one one side of the stereo image, and the bass is on the other. The trumpet Household Of Saud - Charles Tolliver And His All Stars drums seems to be spread evenly. There is great clarity in the recording, and it only adds to the enjoyment of the interplay. Hancock's comping is extra-creative, and he and Carter share some humorous musical comments.

It's amazing how strong the Gary Bartz is on this track, and yet there is a lot of openess in the beat. At times, Chambers seems subdued, but when you realize how subtly musical his playing is, you just sit back and marvel at his tasteful musical reflexes.

Hancock ventures into 20th century impressionism, reminiscent Open Your Heart - Europe - Out Of This World his work with Miles Davis. Hancock's approach to rhythm is so multi-layered.

Sometimes I almost laugh when I read something like "Jazz Rhythm is primarily eighth notes. Ron Carter brings us down to nothing while Hancock and Chambers sound as if they are faraway ghosts. I also recorded this tune on my third CD for the Steeplechase label back in the 90's.

The form is basically a diminished scale line over an almost New Orleans type of syncopated rhythm. The bridge is a release into Bud Powell-like Bebop.

Charles Tolliver And His All Stars, Herbie Hancock, Gary Bartz, Ron Carter, Joe Chambers ‎– Charles Tolliver And His All Stars Label: Freedom ‎– BLP /5(7). Jun 15,  · Charles Tolliver - Paper Man () A1 Earl's World A2 Peace With Myself A3 Right Now B1 Household Of Saud B2 Lil's Paradise B3 Paper Man Charles Tolliver – trumpet Gary Bartz – alto saxophone Herbie Hancock - piano Ron Carter - bass Joe Chambers – drums Trumpeter Charles Tolliver is one of those musicians that frequently gets overlooked by . Charles Tolliver And His All Stars (Black Lion (E) BLP ) Charles Tolliver, trumpet; Gary Bartz, alto sax #; Herbie Hancock, piano; Ron Carter, bass; Joe Chambers, drums. Town Sound Studios, Englewood, NJ, July 2, 1. Earl's World 2. Peace With Myself 3. Right Now 4. Household Of Saud 5. Lil's Paradise 6. This July session was Charles Tolliver’s first album as a leader and it's in the classic Blue Note tradition.. Tolliver is surrounded in quartet and quintet formats with a truly stellar cast of the leading players on the New York jazz scene: Gary Bartz, Herbie Hancock, Ron Carter and Joe Chambers. View credits, reviews, tracks and shop for the Vinyl release of Charles Tolliver And His All Stars on Discogs.4/4(1). Tolliver worked with Horace Silver, Max Roach, and others at the time – and here, he's a brilliant leader right out of the box – set up with an all-star combo that features Herbie Hancock on piano, Ron Carter on bass, and Joe Chambers on drums – perfect partners for exploring the new music that Charles brings to . Charles Tolliver And His All Stars, Herbie Hancock, Gary Bartz, Ron Carter, Joe Chambers - Charles Tolliver And His All Stars ‎ (LP, Album) Freedom BLP /5(87). Sep 09,  · Tolliver's first recording as a leader is an energetic outburst from start to finish, similar and perhaps even stronger than on his preceding recordings with Jackie McLean and Max Roach, and he is aptly supported by Gary Bartz (only on side B), Herbie Hancock, Ron Carter and Joe Chambers/5(3). * Strata-East SES/1 Charles Tolliver's Music Inc - Live At The Loosdrecht Jazz Festival = Black Lion (E) BLP /2 Charles Tolliver's Music Inc. - Live At The Loosdrecht Jazz Festival = Black Lion (G) BLCD Charles Tolliver - Grand Max Charles Tolliver / Music Inc. Tolliver introduced the band members with obvious pride and affection in his voice. The original masterpiece was recorded at Town Sound Studios on July 2 in Englewood, New Jersey, and in addition to Bartz and Tolliver, that quintet included pianist Herbie Hancock, drummer Joe Chambers, and bassist Ron Carter. The hard and post-bop album of.


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10 Replies to “ Household Of Saud - Charles Tolliver And His All Stars, Herbie Hancock, Gary Bartz, Ron Carter, Joe ”

  1. Gardazilkree says: Reply
    Mar 12,  · Pure Pleasure Records is releasing this March, under the heading Charles Tolliver All Stars, Tolliver’s first effort as a leader, which at the time in was entitled either Charles Tolliver and His All Stars or Paper Man. All of the tracks on the release are Tolliver compositions, plus there is a previously unreleased added bonus track of.
  2. Tygorisar says: Reply
    Sep 09,  · Tolliver's first recording as a leader is an energetic outburst from start to finish, similar and perhaps even stronger than on his preceding recordings with Jackie McLean and Max Roach, and he is aptly supported by Gary Bartz (only on side B), Herbie Hancock, Ron Carter and Joe Chambers/5(3).
  3. Charles Tolliver And His All Stars ‎– Charles Tolliver And His All Stars Label: Black Lion Records ‎– 28 U, Intercord ‎– 28 U4/4(1).
  4. Tolliver worked with Horace Silver, Max Roach, and others at the time – and here, he's a brilliant leader right out of the box – set up with an all-star combo that features Herbie Hancock on piano, Ron Carter on bass, and Joe Chambers on drums – perfect partners for exploring the new music that Charles brings to the record. Gary Bartz.
  5. Sep 09,  · Tolliver's first recording as a leader is an energetic outburst from start to finish, similar and perhaps even stronger than on his preceding recordings with Jackie McLean and Max Roach, and he is aptly supported by Gary Bartz (only on side B), Herbie Hancock, Ron Carter and Joe Chambers/5(3).
  6. Zulkigul says: Reply
    "Household of Saud" is a song dedicated to pianist McCoy Tyner, and this fourth track is where Gary Bartz makes this a quintet. This is one of my all-time favorite tracks; the melody is almost a Tyner lick harmonized in 4ths and made into a composition.
  7. Charles Tolliver And His All Stars, Herbie Hancock, Gary Bartz, Ron Carter, Joe Chambers ‎– Charles Tolliver And His All Stars Label: Freedom ‎– BLP /5(7).
  8. He performs six of his originals with pianist Herbie Hancock, bassist Ron Carter, drummer Joe Chambers and (on three of the selections) altoist Gary Bartz. This explorative and stirring music is well worth investigating.9/
  9. Aralkree says: Reply
    GRAM VINYL PREVIOUSLY UNRELEASED. This was Charles Tolliver’s first album as a leader. The setting is unique only because his second Freedom-Black Lion album “The Ringer” and all of his subsequent albums on Strata-East featured his quartet Music Inc. with pianist Stanley Cowell.
  10. Nelrajas says: Reply
    Discover releases, reviews, track listings, recommendations, and more about Charles Tolliver And His All Stars - Charles Tolliver And His All Stars at Discogs. Complete your Charles Tolliver And His All Stars /5(87).

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